“Kirsty was an asset when it came to editing my stories. Her concise and thoughtful feedback and edits helped me see the places where my story was lacking, and made the narrative of my story stronger as a whole. Not only do I recommend her work, but I plan to use her services again in the future as well.”
C. E. Clayton
About
My aim as an author has always been ensuring my stories are the best they can be so that the reader can envision the scene, feel the emotion, and, most of all, remember your story long after they have finished reading. As an editor, you can expect me to strive for the same with your stories. New or established, we artists could use that little extra help with identifying issues or maintaining style consistency. Most importantly, we want to achieve this through mutual collaboration, honesty, and trust. You can be rest assured you will receive this from me.
Intermediate Copyediting for Fiction (Club Ed Freelancers, 2025)
Beginning Copyediting for Fiction (Club Ed Freelancers, 2025)
Developmental Editing: In Practice (Liminal Pages, 2021)
Developmental Editing: Fiction Theory (Liminal Pages, 2020)
BA (Hons) Creative Writing (The Open College of the Arts, 2013–2020)
Editors Tea Club; 2026
LGBTQ Editors Association; 2026
ALLi (Alliance of Independent Authors); Partner; 2025–present
EFA (Editorial Freelancers Association); Emerging Professional Member; 2025–present
Codex Writers’ Group; 2023–present
Online Writing Workshop; 2022–2023
Developmental Editing
£0.02/word
Flat fee of £45 for works under 2,500 words
A developmental edit examines the overall content and structure of your story with three components: explanations on issues raised, highlighting specific examples, and suggesting possible solutions for the following:
Worldbuilding: history and backstory, setting
Pacing
Dialogue
Theme(s)
Devices (epistolary formats, narrative distance, metaphors, etc.)
Point of view
Characters
Voice, style, tone, and mood
Plot and subplots
Sensitivity reading for queer identity, mental health, and PMOS
Deliverables include an editorial report of up to 20 pages, margin comments, and a document summarising and analysing chapters or scenes.
Manuscript Assessment
£0.0175/word
Flat fee of £40 for works under 2,500 words
Manuscript evaluation covers the same as developmental editing but with the editorial report of up to 20 pages only.While this service also follows the three components, and as many as possible, they are likely to be fewer than what you would receive as part of developmental editing due to the constraint of having the report only.
Line Editing
£0.016/word
Flat fee of £40 for works under 2,500 words
There will be some overlap where copy editing addresses the occasional line issue, but it will not be to the same extent as an individual line edit or combination edit which provides a thorough look into the following stylistic elements:
Structure (scenes, paragraphs, sentences)
Voice, style, tone, and mood
Pacing
Clarity
Flow
Point of view
Narrative distance, metaphor, symbolism, showing vs telling, passive vs active voice, and other techniques
Sensitivity issues, e.g. offensive or stereotypical language
Developmental issues in the immediate context, e.g. minor plot or scene queries
Deliverables include margin comments, tracked changes, a clean copy, a query sheet (if applicable), and an additional pass.
Copy Editing
£0.014/word
Flat fee of £35 for works under 2,500 words
This service focuses primarily on the the technical elements of your manuscript, such as:
Punctuation
Grammar
Spelling
Typography
Usage (e.g. misused phrases)
Indexing of characters, places, worldbuilding, and timeline
Fact-checking
Legality
Tense
Consistency and continuity (of both style and story)
Word choice, repetition, redundancies, ambiguities, and filter words
Readability (splices/fragments, dangling modifiers)
Minor formatting adjustments (paragraph indents, scene/page breaks, ensuring chapter headings are the same size)
Deliverables include margin comments, tracked changes, a clean copy, a style sheet, a query sheet (if applicable), and an additional pass.
Proofreading
£0.008/word
Flat fee of £20 for works under 2,500 words
Proofreading is the final check before publication with a lighter touch on what you receive under copy editing.Aside from applying minor formatting adjustments or pointing out major issues, the designing of the MS itself is not included in this service. That is for typographers or designers.Deliverables include margin comments, tracked changes, a clean copy, and an additional pass.You can use the two passes however you wish. For example, the initial edit on your MS can be completed on a Word document before formatting, and the additional pass can be completed on a PDF after formatting.
Beta Reading
£0.0025/word
Flat fee of £5 for works under 2,500 words
This service also focuses on the wider picture, but with more generalised and scaled back feedback that focuses on what does or doesn’t work and why, but without suggestions or solutions on how to improve.It is usually performed on early, rough, or partially completed drafts, before a developmental edit or manuscript assessment.Deliverables include a basic report of up to 5 pages.
Outline Critique
£30
This services involves examining your outline to help pave or strengthen your roadmap for your story, providing a minimal report of up to 3 pages highlighting what works and what might need addressing before you tackle the first draft.
New authors are eligible for 15% discount for a single project or service of their choice.Existing authors are eligible for a 10% discount if returning for another service on the same project.These discounts do not apply to editing packages.While packaged services are contracted together, most are performed separately. An exception would be line and copy editing.
All-Out
Developmental • Line • Copy • Proof
£0.05/word
Flat fee of £125 for works under 2,500 words
Full
Assessment • Line • Copy • Proof
£0.046/word
Flat fee of £115 for works under 2,500 words
No Content
Line • Copy • Proof
£0.03/word
Flat fee of £75 for works under 2,500 words
Stylistic & Technical
Line • Copy
£0.024/word
Flat fee of £60 for works under 2,500 words
Down to the Details
Copy • Proof
£0.018/word
Flat fee of £45 for works under 2,500 words
Other Packages
Please get in touch directly about a package not listed here. Some additional packages include developmental and copy, as well as assessment, line, and copy.
Process
01
Confirmation
We have a chat via email, Discord, or WhatsApp, trading samples if necessary, for as long as you need before making any commitments to ensure we are compatible.
02
Contract
If in agreement, we must both sign a contract, which outlines clauses such as price (termination, refunds), schedule, confidentiality, copyright, and my position against the use of artificial intelligence.
03
Credit
Once signed, I will send the invoice. My standard is usually two or four payments, but may vary depending on other factors, such as booking in advance, payment plans, or having a budget.
04
Commencement
Work commences once the deposit, is paid. This may be a single or multiple payments, determined by what was agreed during the Credit step.
05
Completion
Excerpts of the initial edit documents will be provided first as proof of work. Following the receipt of final payment, you will receive the full versions. If applicable, we will then move onto the additional pass.
06
Correspondence
Once all passes are done, we can continue correspondence to discuss my feedback until you are satisfied your needs have been met.
“I’ve worked with several editors on my story, but Kirsty has been my greatest asset by far. I initially hired her for line editing on the first book of my ongoing series, and she consistently went above and beyond my expectations. Her feedback didn’t just improve the prose, she also helped me identify where the story was falling short, and has helped me shape the book I was truly trying to write. Her insight, clarity, and attention to detail were invaluable to the whole process. I fully intend to work with her again as the series continues, and I highly recommend her to any writer seeking constructive feedback delivered with precision and care.”
S. A. Perchez
FAQ
What Genres Do You Edit?
My speciality is speculative fiction, which means any and all kinds of fantasy, science fiction, or horror.I also edit historical fiction, thriller, crime, mystery, romance, erotica, and their respective subgenres.There are a handful of genres that personally do not work for me, including military or hard science fiction and children’s fiction.
What type of editing do I need?
While there may be some overlap with the elements each service focuses on, it mainly depends on the scale.Developmental editing and manuscript assessment zoom out to examine the content and structure, which should be done after you have completed your own edits.Beta reading is similar to developmental editing and manuscript assessment in terms of scope, but with trimmed feedback.Line and copy editing comes after, narrowing the lens to the concentrate on the finer details once the bigger issues have been addressed.Proofreading is the final check before you hit publish.
What Is a Clean Copy?
A clean copy is your MS with all the tracked changes accepted and the comments removed. This is sent alongside the annotated MS for comparison.
Do you offer samples?
I provide free sample edits for line editing, copy editing, or proofreading of approximately 500–1,000 words, depending on the total length.For works over 2,500 words, these samples are deducted from the overall cost, relevant to the rate per word of the service.I provide brief notes on the first few chapters for developmental editing or manuscript assessments. These chapters are not deducted from the overall cost.
How long will the editing take?
Turnaround times can vary from two weeks to two months. It all depends on word count, service, and if you have a deadline.
What file format do you use?
Preferably Word (.doc/.docx) for all services. Other formats such as PDF or ePUB are fine for reading purposes or proofreading for formatting issues.
Do you do video or voice calls?
Not at this time. My preference is written communication via email, Discord, or WhatsApp.
What’s your position on AI?
I will not edit anything that has been created with or processed through generative AI, such as ChatGPT or other LLMs (Large Language Models).I will not use generative AI in any way on your work or for my editing process.I'm fine with assistive tools, grammar checkers, or other non-generative AI software.The AI clause in my contract goes into further detail about this stance.
What style guide do you use?
My default is The Chicago Manual of Style for its common use for fiction. It will be used as a reference, not a rulebook. In other words, some recommendations are flexible.Do you use the proper ellipsis character over three spaced dots? Do you use a spelling that is listed second (“naïve”) rather than first (“naive”) in the dictionary?As preferences, these style decisions can be left alone. If you want to strictly follow a guide, however, then they might need to be changed.Let me know if you have an alternative preference for a style guide, such as New Hart’s Rules.
What dictionaries do you use?
My primary dictionaries are Merriam-Webster for US English, with Oxford and Cambridge reserved for UK English. Collins is used as a secondary source for either.These dictionaries shall be used for reference, comparisons between regions, and confirming if, for example, a UK dictionary lists a US variant spelling that a US dictionary does not have listed.Let me know if you have an alternative preference for a dictionary. E.g. Macquarie for AUS English or Canadian Oxford Dictionary for CAN English.
How Does the Additional Pass Work?
You can have a second pass of your manuscript once you have either accepted or rejected my edits, made your own changes, and/or responded to my comments.Scheduling for the additional pass can be determined beforehand if you would like to stick to a strict schedule, or it can be done after the completion and delivery of the initial edit.
Do you offer any other discounts?
Aside from the ones listed, no, but I'm open to negotiating prices and/or payment plans if you have a budget.
How Do I Pay You?
I accept payments through Wise, Payoneer, and Stripe.
“Working with Kirsty was such a gift. She didn’t just read my manuscript — she sat with it, observed it carefully, and treated it with genuine attention. Her feedback was thoughtful, clear, and incredibly useful without ever feeling discouraging or rushed. As a writer, you always hope the person reading your work will truly understand what you’re trying to create, and she did. She pointed out strengths and highlighted areas needing refinement in a way that felt encouraging rather than overwhelming. I’m deeply grateful for her time, her insight, and the care she put into my story. I highly recommend her to any author who wants honest, meaningful feedback that helps elevate their work.”
Candace M. Ellowen
Contact
Office HoursMonday–Friday; 10 AM–6 PM (GMT)Allow 3 days for responses, excluding weekends and bank holidays.You can either use the intake form or the form below if you are looking to work together. For general enquires, use the form below only.
© 2025–2026. Tutin Editing. All rights reserved.Privacy
Resources
Books
On Writing: A Memoir of the Craft by Stephen King
The Chicago Guide to Copyediting Fiction by Amy J. Schneider
Editing Fiction at Sentence Level by Louise Harnby
Getting Started in Editing Fiction by Katherine Trial with Rachel Rowlands
Structuring Your Novel: Essential Keys for Writing an Outstanding Story by K. M. Weiland
Your Story Matters by Nikesh Shukla
Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg
Websites
OneLook Dictionary | Accelerate your search for meaning
Behind the Name | The Meaning and History of First Names; Behind the Name l The Meaning and History of Surnames
Conscious Language for Writers, Editors, Students, Professionals | Conscious Style Guide
Writing Diversely | Inclusive Writing & Editing Resources
Salt and Sage Books | Changing the World through Story
CMOS Shop Talk | From the Chicago Manual of Style
Mythcreants | Fantasy & Science Fiction for Storytellers
Fantasy Name Generators | Names for all your fantasy characters
Courses
The Rambo Academy for Wayward Writers | The World of Cat Rambo
UK Writers' College | Writing Courses Online Since 2005
Organistations
EFA (Editorial Freelancers Association; US)
ACES (The Society of Editors; US)
CIEP (The Chartered Institute of Editing and Proofreading; UK)
ALLi (Alliance of Independent Authors)
SFWA (Science Fiction and Fantasy Writers Association)
HWA (Horror Writers Association)
ITW (International Thriller Writers)
CWA (The Crime Writers’ Association)
RNA (Romance Novelists’ Association)
Critique Groups
Beta Reader Group (Goodreads)
Critters Writers Workshop (not available to EU/UK residents)
Software & Apps
Scapple | Mind Mapping Software & Tool for Mac and & Windows (Paid)
Obsidian | Sharpen your thinking (Free/Paid)
World Anvil | World Anvil tools & RPG Campaign Manager (Free/Paid)
Aeon Timeline | Grow big ideas into brilliant narratives (Paid)
Plottr | Bring your story to life in a weekend (Paid)
Scrivener | The #1 Writing Software for Mac, Windows & iPad (Paid)
Ulysses (Paid)
LibreOffice (Free)
PerfectIt | Proofreading Software for Professionals (Paid)
Harper | The Private Grammar Checker (Free)
Vellum | Create Beautiful Books (Paid)
Atticus | An Author's Best Friend (Paid)
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